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"f¡Mp¡V j¡®l fr£ Bl ®cu N¡Ïmz
l¡h®Zl p¡®b k¤Ü L®l jq¡hm£z'

JC ilp¡®aC qÏlQlZ h®¾cÉ¡f¡dÉ¡u ab¡ h£u në®L¡®ol nlZ¡fæ qJu¡ Hhw q¡®ae¡®a gm f¡Ju¡z 1781 eðl f¡a¡ M¤®m S¡e¡ ®Nm "p¡V' H®p®R "në'-l fË¡Lªa Afïwn ®b®Lz jdÉk¤N£u LÏhL¤m®L Eܪa L®l "j¡mp¡V'-Hl f¡yQ lL®jl AbÑ L®lÏR®me h¡ys¤®SÉjn¡Cx

1) j®õl h¡ h£®ll ØfÜÑ¡f§hÑL N‹Ñe h¡ ýˆ¡l; Ïpwqe¡c

2) p®œ²¡d ýˆ¡l

3) h£®ll lZSudÄÏe; Ïpwqe¡c

4) qoÑ¡Ïan®kÉ ýˆ¡l

5) Evp®h pqoÑ ýˆ¡l

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HC Q¡ycj¡Ïl qm fËÏaù¡ez a¡ ®p m¡m ®q¡L, ®N¡m¡Ïf ®q¡L; ph¤S-®jl¦e ®q¡L, p¡c¡-L¡®m¡ ®q¡L ÏLR¤ k¡u-B®p e¡z

ÏX®lƒpÑ ®e¡®V p¤je j¤®M¡f¡dÉ¡u ÏmM®Re -

Long time since I was looking for something that is as scathing and sharp as 'Kangal Malsat'. The political carnivalesque and the scornful burlesque prompted me to make a play out of the novel. The roughness, rawness and the immediacy are the essence of the production. I tried to maintain the agitational-propagandist spirit in the making.

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HLV¡ Ec¡qlZ Ïc®m Lb¡V¡ Øfø q®a f¡®lz

XÌ¡j¡ÏVL LÓ¡CjÉ¡„ AbÑ¡v Q¡LÏah¡ÏS öl¦l B®N ®Q¡š²¡l-Ïn®l¡jÏZ L®eÑm iÏcl ØVÌÉ¡ÏSL Hu¡l LjÉ¡ä (Jl®g gÉ¡a¡s¤l¡) HÏl®um p¡®iÑ Ll®a ®VL Ag L®lÏRmz HC pju gÉ¡a¡s¤ Jl®g jce, ÏX Hp Bl f¤l¾cl i¡®Vl p®Â c™h¡u®pl ®cM¡ q®u k¡uz eh¡l¦Z Ap¡d¡lZ Ïm®MÏR®me - "L¡mf¤l¦o®L Bs¡m L®l Ïhl¡V X¡e¡ RÏs®u Es®R ®pC fË¡Lªa c¡ysL¡L'z p¤j®el c™h¡up e®i¡Ql eu, ØbmQlz lZf¡u il Ïc®u Q®mz mð¡u BV-e g¤V c¡yÏs®u k¡uz a¡l p¡®uÏh W¡Vh¡Vz fl®e Lªo· p¤Vh¤Vz j¡b¡u qÉ¡Vz q¡®a m¡ÏWz ®W¡y®V f¡Cfz j¤Mju Hje lw ®ke ®k¡®Nn cš! ®La¡h Ae¤k¡u£ gÉ¡a¡s¤®cl Js¡l Lb¡z ÏfV¡l hˤL jn¡C a¡l "H ÏjXp¡j¡l e¡CVp ÏXÌj'-Hl ®fË¡X¡LneV¡u f¡L Bl a¡l p¡®Â¡f¡®Â¡®cl ®fË¡®pÏeu¡®jl R¡c ®b®L T¤Ïm®u Ïc®uÏR®mez p¤je a¡l gÉ¡a¡s¤®cl i¡Ïp®u®Re cÏsl ®c¡m¡uz q¡a-f¡ RÏs®u Ïel¡mð q®u ®c¡m ®M®u®R ®Q¡š²¡®ll HC ØVÌÉ¡®VÏSL AÉ¡m¡Cz

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e¡ÏL HLV¤ d®l ®Mm®me? Eæue-Ae¤æu®el l¡Se£Ïal ®M¡mem®Q i¡®m¡ L®l h¤®Tö®e a®hC a¤l¦®fl a¡pV¡ ®Mm®he p¤je?

a¡l SeÉ LaÏce A®fr¡ Ll®a q®h ®L S¡®e!